Enjoy the explanation of the inspirations for this oil painting "Compelling Movements" where nature's resilience and sensitivity is celebrated with colour.
Expressing the Landscape I am thankful for nature and all the colours I see. When I try to paint them, I feel amazingly free. There are endless combinations of soft and bold. And the various tones can feel warm or cold. The lush greens in foliage may have subtle reds. They shimmer when reflected in river beds. Snow seems white, until you study it. Colours are brighter when they are sunlit. Highlights can be pinks, yellows or blues; In shadows you may find viridian and purple hues. Do you notice a colour catching your eye? Is it up close or above in the sky? I love how colours contrast and subtly transition; When I present them, I use intuition. Light and dark play out, large and small, In a lyrical manner, I make the call... On what to include or colour to mix, Trying to make sure nothing conflicts. These are the things that gladden my heart, And as for creating, we can all take part. The vibrancy of the landscape at any location Can offer a multitude of inspiration. So, I encour...
Being an artist is not always as easy as it seems. Like climbing a mountain, until you see the view from the top, or at least a glimpse of something beautiful, it doesn’t seem worth the effort - but it is. With each painting effort there is a breakthrough of sorts, even if it is to work through our own dissatisfactions, doubts, fears and boredom, which can happen to any of us. But that's not the end of the "climb." In my experience, breakthroughs become a small act of some new purpose that I learn to work towards - It is the thing I seek. No small effort is useless, so I decide to take it on, the smaller the better. There is a gain even in the effort to "rest." It seems that winter is a time that nature rests, and in it's silence I experience a certain joy. This joy then can become my small purpose. It can be as simple as choosing the size of the canvas, placing it on the easel, picking up the colourful tubes, brushes and imagining the first brush stroke....
Comments
Post a Comment